Reading by Starlight: Postmodern Science FictionReading by Starlight explores the characteristics in the writing, marketing and reception of science fiction which distinguish it as a genre. Damien Broderick explores the postmodern self-referentiality of the sci-fi narrative, its intricate coded language and discursive `encyclopaedia'. He shows how, for perfect understanding, sci-fi readers must learn the codes of these imaginary worlds and vocabularies, all the time picking up references to texts by other writers. Reading by Starlight includes close readings of paradigmatic cyberpunk texts and writings by SF novelists and theorists including Isaac Asimov, Arthur C. Clarke, Brian Aldiss, Patrick Parrinder, Kim Stanley Robinson, John Varley, Roger Zelazny, William Gibson, Fredric Jameson and Samuel R. Delaney. |
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... sf's imaginative texts often baffle or dismay readers trained to enjoy only the literary or 'canonical'. Reading by ... sf readers must learn the codes and vernacular of these imaginary worlds, while absorbing the 'lived-in futures ...
... sf's imaginative texts often baffle or dismay readers trained to enjoy only the literary or 'canonical'. Reading by ... sf readers must learn the codes and vernacular of these imaginary worlds, while absorbing the 'lived-in futures ...
Page i
... sf's imaginative texts often baffle or dismay readers trained to enjoy only the literary or ' canonical ' . Reading ... sf readers must learn the codes and vernacular of these imaginary worlds , while absorbing the ' lived - in futures ...
... sf's imaginative texts often baffle or dismay readers trained to enjoy only the literary or ' canonical ' . Reading ... sf readers must learn the codes and vernacular of these imaginary worlds , while absorbing the ' lived - in futures ...
Page xi
... sf endures precisely because of the unease with which science fiction poises its narrative modality ( or perhaps ... sf's products must be bad art ? Must its early sources in wish - fulfilment oblige it to be false science ? All too ...
... sf endures precisely because of the unease with which science fiction poises its narrative modality ( or perhaps ... sf's products must be bad art ? Must its early sources in wish - fulfilment oblige it to be false science ? All too ...
Page xiv
... sf's inventions and plays ? Or vice versa ? I should confess immediately to two possible hazards in my approach here . First : if , as I argue , rich responses to sf texts require a sort of apprenticeship by the reader , it is scarcely ...
... sf's inventions and plays ? Or vice versa ? I should confess immediately to two possible hazards in my approach here . First : if , as I argue , rich responses to sf texts require a sort of apprenticeship by the reader , it is scarcely ...
Page xvi
... sf's literary lineage , definitions of sf in terms of themes , scientific and mock - scientific content , and its role as a formula for consolation . Examples of effective sf are displayed against bad or routine material . In Chapter 2 , ...
... sf's literary lineage , definitions of sf in terms of themes , scientific and mock - scientific content , and its role as a formula for consolation . Examples of effective sf are displayed against bad or routine material . In Chapter 2 , ...
Contents
3 | |
GENERIC ENGINEERING | 21 |
GENRE OR MODE? | 38 |
THE USES OF OTHERNESS | 49 |
READING THE EPISTEME | 64 |
DREAMS OF REASON AND UNREASON | 75 |
THE STARS MY DISSERTATION | 89 |
MAKING UP WORLDS | 103 |
SF AS A MODULAR CALCULUS | 128 |
THE MULTIPLICITY OF WORLDS OF OTHERS | 137 |
THE AUTUMNAL CITY | 153 |
Notes | 159 |
Bibliography | 180 |
xi | 193 |
74 | 195 |
ALLOGRAPHY AND ALLEGORY | 117 |
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Common terms and phrases
Aldiss alien allegory attempts attention become called Chapter character cited close codes cognitive common constituted constructed course critical culture death definition Delany Delany's detail developed discourse discussion dream early effect episteme especially example experience fantasy figure force future genre given human ibid icons images imagination important interesting Intersection invention Jameson John kind language late later least less limits linguistic literary literature Lobey Marxism means mega-text metaphor mode move myth narrative never notes novel object offers once perhaps play position possible postmodern precisely question reader reading reality recent reference relation remains science fiction scientific seems semiotic sense sf's signifiers social space specific Stars story Strange structure tell textual theory things thinking tropes true turn universe volume writing