Reading by Starlight: Postmodern Science FictionReading by Starlight explores the characteristics in the writing, marketing and reception of science fiction which distinguish it as a genre. Damien Broderick explores the postmodern self-referentiality of the sci-fi narrative, its intricate coded language and discursive `encyclopaedia'. He shows how, for perfect understanding, sci-fi readers must learn the codes of these imaginary worlds and vocabularies, all the time picking up references to texts by other writers. Reading by Starlight includes close readings of paradigmatic cyberpunk texts and writings by SF novelists and theorists including Isaac Asimov, Arthur C. Clarke, Brian Aldiss, Patrick Parrinder, Kim Stanley Robinson, John Varley, Roger Zelazny, William Gibson, Fredric Jameson and Samuel R. Delaney. |
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Page xi
... strategies of science fiction . Whether it is viewed as a genre or a mode ( even a fresh paraliterature entirely ) , its very name , for all its acquired taint of comical vulgarity , evokes that central paradox of mutual incomprehension ...
... strategies of science fiction . Whether it is viewed as a genre or a mode ( even a fresh paraliterature entirely ) , its very name , for all its acquired taint of comical vulgarity , evokes that central paradox of mutual incomprehension ...
Page xii
... strategies and tactics , constitute a singular window on our vexed episteme . What's more , its current development is often explicitly and recursively theorised by its practitioners : Samuel R. Delany , Ursula Le Guin , Joanna Russ ...
... strategies and tactics , constitute a singular window on our vexed episteme . What's more , its current development is often explicitly and recursively theorised by its practitioners : Samuel R. Delany , Ursula Le Guin , Joanna Russ ...
Page xiii
... strategies which constitute the writing and reading of sf . What are its generic components ? How are they put together ? How concretised by readers ? How , in turn , do they construct their potential readers ? In theoretical terms ...
... strategies which constitute the writing and reading of sf . What are its generic components ? How are they put together ? How concretised by readers ? How , in turn , do they construct their potential readers ? In theoretical terms ...
Page xv
... strategies are not abstractions . ' Instead of dividing theory from practice [ among many other dichotomous impositions ] philosophy may regard theory as a form of practice . ' Far from either valorising or condemning traditional ways ...
... strategies are not abstractions . ' Instead of dividing theory from practice [ among many other dichotomous impositions ] philosophy may regard theory as a form of practice . ' Far from either valorising or condemning traditional ways ...
Page xvi
... strategies and tactics , have emerged in a number of stages which can be correlated , to some extent , with its historical , economic and ideological contexts . This development - beginning definitively with ' Modern science fiction ...
... strategies and tactics , have emerged in a number of stages which can be correlated , to some extent , with its historical , economic and ideological contexts . This development - beginning definitively with ' Modern science fiction ...
Contents
3 | |
GENERIC ENGINEERING | 21 |
GENRE OR MODE? | 38 |
THE USES OF OTHERNESS | 49 |
READING THE EPISTEME | 64 |
DREAMS OF REASON AND UNREASON | 75 |
THE STARS MY DISSERTATION | 89 |
MAKING UP WORLDS | 103 |
SF AS A MODULAR CALCULUS | 128 |
THE MULTIPLICITY OF WORLDS OF OTHERS | 137 |
THE AUTUMNAL CITY | 153 |
Notes | 159 |
Bibliography | 180 |
xi | 193 |
74 | 195 |
ALLOGRAPHY AND ALLEGORY | 117 |
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Common terms and phrases
Aldiss alien allegory attempts attention become called Chapter character cited close codes cognitive common constituted constructed course critical culture death definition Delany Delany's detail developed discourse discussion dream early effect episteme especially example experience fantasy figure force future genre given human ibid icons images imagination important interesting Intersection invention Jameson John kind language late later least less limits linguistic literary literature Lobey Marxism means mega-text metaphor mode move myth narrative never notes novel object offers once perhaps play position possible postmodern precisely question reader reading reality recent reference relation remains science fiction scientific seems semiotic sense sf's signifiers social space specific Stars story Strange structure tell textual theory things thinking tropes true turn universe volume writing