Reading by Starlight: Postmodern Science FictionReading by Starlight explores the characteristics in the writing, marketing and reception of science fiction which distinguish it as a genre. Damien Broderick explores the postmodern self-referentiality of the sci-fi narrative, its intricate coded language and discursive `encyclopaedia'. He shows how, for perfect understanding, sci-fi readers must learn the codes of these imaginary worlds and vocabularies, all the time picking up references to texts by other writers. Reading by Starlight includes close readings of paradigmatic cyberpunk texts and writings by SF novelists and theorists including Isaac Asimov, Arthur C. Clarke, Brian Aldiss, Patrick Parrinder, Kim Stanley Robinson, John Varley, Roger Zelazny, William Gibson, Fredric Jameson and Samuel R. Delaney. |
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Page xii
... theory ( specifically that variety of meta - theory which meant to think about thinking about literature ) during the last two decades . It became feasible once more to dig deep into the processes of writing and reading , rather than ...
... theory ( specifically that variety of meta - theory which meant to think about thinking about literature ) during the last two decades . It became feasible once more to dig deep into the processes of writing and reading , rather than ...
Page xiii
... theory and deconstruction de - privilege in various ways the literary canon which excluded sf from serious critical attention . These fresh , transgressive modes seem to valorise the sportive qualities which sf embodies in a marked ...
... theory and deconstruction de - privilege in various ways the literary canon which excluded sf from serious critical attention . These fresh , transgressive modes seem to valorise the sportive qualities which sf embodies in a marked ...
Page xiv
... theory and criticism - when meta - theory continually challenges and erodes canonised methods and their traditional objects of scrutiny - traditional formal methods of exposition and argument ought not to remain protected by a hermetic ...
... theory and criticism - when meta - theory continually challenges and erodes canonised methods and their traditional objects of scrutiny - traditional formal methods of exposition and argument ought not to remain protected by a hermetic ...
Page xv
... theory from practice [ among many other dichotomous impositions ] philosophy may regard theory as a form of practice . ' Far from either valorising or condemning traditional ways of arguing logically from hegemonically ordained premises ...
... theory from practice [ among many other dichotomous impositions ] philosophy may regard theory as a form of practice . ' Far from either valorising or condemning traditional ways of arguing logically from hegemonically ordained premises ...
Page xvi
... theories of Samuel R. Delany . The analysis in Part I concludes in Chapters 6 and 7 with close readings of the cyberpunk texts of William Gibson and the Helliconia trilogy of Brian W. Aldiss . The field's most recent development is ...
... theories of Samuel R. Delany . The analysis in Part I concludes in Chapters 6 and 7 with close readings of the cyberpunk texts of William Gibson and the Helliconia trilogy of Brian W. Aldiss . The field's most recent development is ...
Contents
3 | |
GENERIC ENGINEERING | 21 |
GENRE OR MODE? | 38 |
THE USES OF OTHERNESS | 49 |
READING THE EPISTEME | 64 |
DREAMS OF REASON AND UNREASON | 75 |
THE STARS MY DISSERTATION | 89 |
MAKING UP WORLDS | 103 |
SF AS A MODULAR CALCULUS | 128 |
THE MULTIPLICITY OF WORLDS OF OTHERS | 137 |
THE AUTUMNAL CITY | 153 |
Notes | 159 |
Bibliography | 180 |
xi | 193 |
74 | 195 |
ALLOGRAPHY AND ALLEGORY | 117 |
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Common terms and phrases
Aldiss alien allegory attempts attention become called Chapter character cited close codes cognitive common constituted constructed course critical culture death definition Delany Delany's detail developed discourse discussion dream early effect episteme especially example experience fantasy figure force future genre given human ibid icons images imagination important interesting Intersection invention Jameson John kind language late later least less limits linguistic literary literature Lobey Marxism means mega-text metaphor mode move myth narrative never notes novel object offers once perhaps play position possible postmodern precisely question reader reading reality recent reference relation remains science fiction scientific seems semiotic sense sf's signifiers social space specific Stars story Strange structure tell textual theory things thinking tropes true turn universe volume writing