The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Page 237
... Dali ( b . 1904 ) has been one of the two most famous painters alive . As a bodily trademark , his moustache was the ... Dali's success , large as it was , coincided with his decline as a serious artist . Painters often imitate ...
... Dali ( b . 1904 ) has been one of the two most famous painters alive . As a bodily trademark , his moustache was the ... Dali's success , large as it was , coincided with his decline as a serious artist . Painters often imitate ...
Page 238
... Dali , they would have among chic interior decorators but Dali took it to an extraordinary pitch of ingenuity , linking the most diverse and spatially remote objects into mutually cancelling figures - of - sight . Thus in Metamorphosis ...
... Dali , they would have among chic interior decorators but Dali took it to an extraordinary pitch of ingenuity , linking the most diverse and spatially remote objects into mutually cancelling figures - of - sight . Thus in Metamorphosis ...
Page 241
... Dali's mind threw off many of these confessional images before the end of the 1930s . As Picasso used his erotic rage as a subject throughout his life , Dali deployed an imagery of impotence and guilt . He liked anything that was not ...
... Dali's mind threw off many of these confessional images before the end of the 1930s . As Picasso used his erotic rage as a subject throughout his life , Dali deployed an imagery of impotence and guilt . He liked anything that was not ...
Common terms and phrases
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York