The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Page 341
... Pop art - which did not yet exist - but as the end of a tradition of still - life that began with Chardin . And yet Johns's effort to fuse subject and object in one problematic field was going to have deep effects on art , especially ...
... Pop art - which did not yet exist - but as the end of a tradition of still - life that began with Chardin . And yet Johns's effort to fuse subject and object in one problematic field was going to have deep effects on art , especially ...
Page 342
... Pop art , " put it in 1959 : Mass production techniques , applied to accurately repeatable words , pictures and music , have resulted in an expendable multitude of signs and symbols . To approach this exploding field with Renaissance ...
... Pop art , " put it in 1959 : Mass production techniques , applied to accurately repeatable words , pictures and music , have resulted in an expendable multitude of signs and symbols . To approach this exploding field with Renaissance ...
Page 413
... Pop Art . London : Thames & Hudson , 1967. New York : Oxford Univ . Press , 1966 ; Praeger , 1969 . Lippard , Lucy Six Years : The Dematerialization of the Art Object from 1966 to 1972. New York : Praeger , 1973 . Meyer , Ursula ( comp ...
... Pop Art . London : Thames & Hudson , 1967. New York : Oxford Univ . Press , 1966 ; Praeger , 1969 . Lippard , Lucy Six Years : The Dematerialization of the Art Object from 1966 to 1972. New York : Praeger , 1973 . Meyer , Ursula ( comp ...
Common terms and phrases
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York