Constructing PostmodernismBrian McHale provides a series of readings of a wide range of postmodernist fiction, from Eco's Foucault's Pendulum to the works of cyberpunk science-fiction, relating the works to aspects of postmodern popular culture. |
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Page 9
... identified especially with Huyssen and Jameson (Chapter 10); and even a story, told by Jameson and by Harvey (1989) ... identifying them as either “avantgarde” or “arriere-garde” (Chapters 8 and 9). “Postmodernist” in the title of my ...
... identified especially with Huyssen and Jameson (Chapter 10); and even a story, told by Jameson and by Harvey (1989) ... identifying them as either “avantgarde” or “arriere-garde” (Chapters 8 and 9). “Postmodernist” in the title of my ...
Page 13
... identifying cyberpunk as the privileged literary manifestation of postmodernism. Indeed, he seems even to be implying that cyberpunk is somehow the direct expression of late capitalism itself, almost as though it were unmediated by ...
... identifying cyberpunk as the privileged literary manifestation of postmodernism. Indeed, he seems even to be implying that cyberpunk is somehow the direct expression of late capitalism itself, almost as though it were unmediated by ...
Page 42
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Page 49
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Page 62
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Contents
1 | |
17 | |
Misreading Pynchon | 59 |
Reading postmodernists | 142 |
At the interface | 223 |
Notes | 268 |
References | 308 |
Index | 325 |
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Amalgamemnon angels apocalypse Barth Bloom Brooke-Rose Casaubon chapters character’s characters Christine Brooke-Rose cognitive consciousness conspiracy construct course critics Crying of Lot culture cyberpunk cyberpunk SF death definition discourse displaced Eco’s episode epistemological epistemological quest essay Eumaeus extra-diegetic extrapolated fictional world field figurative figure film finally find first Foucault’s Pendulum function genre Gibson Gravity’s Rainbow Higgins’s identified instance Jameson Joseph McElroy Joyce Joyce’s literally literary history mainstream Max Apple McElroy McElroy’s McHale metanarrative metaphor metonymic modernism modernist modernist poetics Mona Lisa Overdrive motif movie Name narrative narratology narrator Neuromancer novel nuclear ontological ontological plurality Pale Fire parallax paranoid reading parody passage postcognitive postmod postmodernism postmodernist fiction postmodernist poetics postmodernist texts pronoun Pynchon reader reality reconstructed reflect repertoire representation Rose Schismatrix science fiction second-person seems sense Slothrop space specific Sterling’s story strategies Tlon Ulysses Vacuum Flowers Vineland William Gibson words writing Xorandor