The Shock of the New: The Hundred=Year History of Modern ArtA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Page 19
... fantasies of absolute modernity would go deep into the stream of the avant-garde in the 19205, affecting Francis Picabia, George Grosz, Vladimir Tatlin, John Heartfield, and, in fact, nearly everyone who was interested in projecting ...
... fantasies of absolute modernity would go deep into the stream of the avant-garde in the 19205, affecting Francis Picabia, George Grosz, Vladimir Tatlin, John Heartfield, and, in fact, nearly everyone who was interested in projecting ...
Page 29
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Page 48
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Page 55
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York