Chironomia: Or, A Treatise on Rhetorical Delivery |
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Page 60
Loud and soft tones are altogether different from high and low , as those even but little acquainted with music can tell . Piano and forte have no relation to pitch or key , but to force and quantity , and when applied to the voice ...
Loud and soft tones are altogether different from high and low , as those even but little acquainted with music can tell . Piano and forte have no relation to pitch or key , but to force and quantity , and when applied to the voice ...
Page 137
And instead of adding much to his action , he who studies it the most carefully , will only be inclined to alter it for the better , or perhaps in many places to retrench it altogether . The art of gesture however culti vated , is not ...
And instead of adding much to his action , he who studies it the most carefully , will only be inclined to alter it for the better , or perhaps in many places to retrench it altogether . The art of gesture however culti vated , is not ...
Page 198
And these characters will not altogether forsake his reading , even in the moments of absence , when the best men's thoughts wander from the immediate and important subject which ought to occupy them solely.® They who read the Service ...
And these characters will not altogether forsake his reading , even in the moments of absence , when the best men's thoughts wander from the immediate and important subject which ought to occupy them solely.® They who read the Service ...
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Contents
Chironomia or a Treatise on Rhetorical Delivery | 1 |
Of the Voice | 27 |
Of the VoiceGeneral Precepts | 67 |
24 other sections not shown
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according action actor advantage altogether ancient appears atque attention authority body called CHAPTER character Cicero circumstances composition considered countenance delivered delivery Demosthenes direction discourse effect elevated eloquence equally etiam excellence expression extended eyes fall feelings figure fingers force geste gesture give grace hand head ideas illustrate important kind labour language letters manner manus marked means mind motions move nature necessary notation noted object observed opinion orator oratory particular passage passions perfection performed perhaps person position practice present principal proper public speaker quæ quam Quintilian quod reader reading reason relates require respect rhetorical says sentiments sometimes speaker speaking sufficient suited sunt talents tion tones variety various voice whole writing