Chironomia: Or, A Treatise on Rhetorical Delivery |
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Page 148
And if the public speakers of Great Britain would adequately emulate the persection of the ancient models of eloquence , they must endeavour to acquire the whole comprehension of their art . By their industry and ingenuity , they must ...
And if the public speakers of Great Britain would adequately emulate the persection of the ancient models of eloquence , they must endeavour to acquire the whole comprehension of their art . By their industry and ingenuity , they must ...
Page 249
OF THE ANCIENT PANTOMIMES . The pantomimic art not properly connected with rhetorical delivery , The gestures of an orator very different from those of the pantomime -The rise of the ancient pantomimes-- Account from Athenĉus Anecdotes ...
OF THE ANCIENT PANTOMIMES . The pantomimic art not properly connected with rhetorical delivery , The gestures of an orator very different from those of the pantomime -The rise of the ancient pantomimes-- Account from Athenĉus Anecdotes ...
Page 266
The usual excuse for this practice is founded on the vast magnitude of the ancient theatres , where the expression of the natural countenance must have been lost to the great majority of the spectators : and which therefore induced them ...
The usual excuse for this practice is founded on the vast magnitude of the ancient theatres , where the expression of the natural countenance must have been lost to the great majority of the spectators : and which therefore induced them ...
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Contents
Chironomia or a Treatise on Rhetorical Delivery | 1 |
Of the Voice | 27 |
Of the VoiceGeneral Precepts | 67 |
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according action actor advantage altogether ancient appears atque attention authority body called CHAPTER character Cicero circumstances composition considered countenance delivered delivery Demosthenes direction discourse effect elevated eloquence equally etiam excellence expression extended eyes fall feelings figure fingers force geste gesture give grace hand head ideas illustrate important kind labour language letters manner manus marked means mind motions move nature necessary notation noted object observed opinion orator oratory particular passage passions perfection performed perhaps person position practice present principal proper public speaker quĉ quam Quintilian quod reader reading reason relates require respect rhetorical says sentiments sometimes speaker speaking sufficient suited sunt talents tion tones variety various voice whole writing