Chironomia: Or, A Treatise on Rhetorical Delivery |
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Page 33
... considered first as to its nature ; secondly , as to The nature of the voice is again divided the management of it . into quantity and quality . ' In the quantity of the voice are considered , The perfections . The body or volume ...
... considered first as to its nature ; secondly , as to The nature of the voice is again divided the management of it . into quantity and quality . ' In the quantity of the voice are considered , The perfections . The body or volume ...
Page 210
... considered according to the order of the requisite ac- quirements in the place immediately after rhetorical reading ; to all the requisites for which , recitation must add perfect memory and suitable gesture . In the different modes of ...
... considered according to the order of the requisite ac- quirements in the place immediately after rhetorical reading ; to all the requisites for which , recitation must add perfect memory and suitable gesture . In the different modes of ...
Page 315
... considered still to be horizontal extended as the last , but in the extreme degree , and is marked with an additional x as hxx . If the object in the same situation as before be supposed something producing disappointment or horror ...
... considered still to be horizontal extended as the last , but in the extreme degree , and is marked with an additional x as hxx . If the object in the same situation as before be supposed something producing disappointment or horror ...
Contents
Chironomia or a Treatise on Rhetorical Delivery | 1 |
Of the Voice | 27 |
Of the VoiceGeneral Precepts | 67 |
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Common terms and phrases
action actor altogether ancient animi appears atque attention autem body Cæsar celebrated character Chironomia Cicero composition corporis countenance Cresol Cresollius declamation delivered delivery Demosthenes dicere discourse doit effect elevated elocutio Elocution eloquence enim etiam expression eyes feelings fingers geste grace hæc illa imitation Isocrates l'action labour language manner manus marked mind modo modum motions motus mouvemens nature neque nihil notation object observed omnia orator oratory palæstra pantomime passage passions Pathognomy perfection person Plutarch Plutus position principal gesture pronunciatio proper public speaker pulpit Pylades qu'il quæ quædam quam quid quidem Quint Quintilian quod quoque reader reading rhetorical sentiments significant gestures small letters speaking suited sunt talents tamen tion tones variety vocem vocis voice vultus whilst words γὰρ δὲ ἐν καὶ μὲν τὴν τῆς τὸ τὸν τῶν