Chironomia: Or, A Treatise on Rhetorical Delivery |
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Page 313
... elevated across elevated forwards 30. 2 . 31. 3 . 32. 4 . 33. 5 . elevated oblique elevated extended elevated backwards Noted ec ef eq ex eb Such are the simple positions of the whole arm , which , with the latitude allowed , will be ...
... elevated across elevated forwards 30. 2 . 31. 3 . 32. 4 . 33. 5 . elevated oblique elevated extended elevated backwards Noted ec ef eq ex eb Such are the simple positions of the whole arm , which , with the latitude allowed , will be ...
Page 388
... elevated or differently directed . Both arms and hands may perform the same gesture , or exactly imitate each other , when the body of the speaker is presented towards the person addressed precisely in front , Fig . 96 : but if the body ...
... elevated or differently directed . Both arms and hands may perform the same gesture , or exactly imitate each other , when the body of the speaker is presented towards the person addressed precisely in front , Fig . 96 : but if the body ...
Page 534
... elevated , forwards , bended as nearly expressed Fig . 95 , -veq w - implies bhf a- backwards , horizontal , forwards , ascending , as may be seen in the dotted lines of Fig . 91. And vhx rj - implies vhx rt— as expressed the first , in ...
... elevated , forwards , bended as nearly expressed Fig . 95 , -veq w - implies bhf a- backwards , horizontal , forwards , ascending , as may be seen in the dotted lines of Fig . 91. And vhx rj - implies vhx rt— as expressed the first , in ...
Contents
Chironomia or a Treatise on Rhetorical Delivery | 1 |
Of the Voice | 27 |
Of the VoiceGeneral Precepts | 67 |
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Common terms and phrases
action actor altogether ancient animi appears atque attention autem body Cæsar celebrated character Chironomia Cicero composition corporis countenance Cresol Cresollius declamation delivered delivery Demosthenes dicere discourse doit effect elevated elocutio Elocution eloquence enim etiam expression eyes feelings fingers geste grace hæc illa imitation Isocrates l'action labour language manner manus marked mind modo modum motions motus mouvemens nature neque nihil notation object observed omnia orator oratory palæstra pantomime passage passions Pathognomy perfection person Plutarch Plutus position principal gesture pronunciatio proper public speaker pulpit Pylades qu'il quæ quædam quam quid quidem Quint Quintilian quod quoque reader reading rhetorical sentiments significant gestures small letters speaking suited sunt talents tamen tion tones variety vocem vocis voice vultus whilst words γὰρ δὲ ἐν καὶ μὲν τὴν τῆς τὸ τὸν τῶν