Chironomia: Or, A Treatise on Rhetorical Delivery |
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Page 298
The first position of the right foot , noted R. 1 . The upper part of the figure represents the elevation of the position , the lower the plan . Fig . 2 , and 7. In this position the right foot ( advanced before the left about the ...
The first position of the right foot , noted R. 1 . The upper part of the figure represents the elevation of the position , the lower the plan . Fig . 2 , and 7. In this position the right foot ( advanced before the left about the ...
Page 304
Changes of position or steps are considered to be executed only by the foot on which the body is not supported , for that foot alone is free . Should it be required to move the foot which supports the body , ( suppose the left foot in ...
Changes of position or steps are considered to be executed only by the foot on which the body is not supported , for that foot alone is free . Should it be required to move the foot which supports the body , ( suppose the left foot in ...
Page 406
passions of whatsoever kind , the corresponding hand and foot advance together . Those passions which incline us to advance towards their object , as love , desire , anger , or revenge , naturally cause the corresponding hand and foot ...
passions of whatsoever kind , the corresponding hand and foot advance together . Those passions which incline us to advance towards their object , as love , desire , anger , or revenge , naturally cause the corresponding hand and foot ...
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Contents
Chironomia or a Treatise on Rhetorical Delivery | 1 |
Of the Voice | 27 |
Of the VoiceGeneral Precepts | 67 |
24 other sections not shown
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according action actor advantage altogether ancient appears atque attention authority body called CHAPTER character Cicero circumstances composition considered countenance delivered delivery Demosthenes direction discourse effect elevated eloquence equally etiam excellence expression extended eyes fall feelings figure fingers force geste gesture give grace hand head ideas illustrate important kind labour language letters manner manus marked means mind motions move nature necessary notation noted object observed opinion orator oratory particular passage passions perfection performed perhaps person position practice present principal proper public speaker quĉ quam Quintilian quod reader reading reason relates require respect rhetorical says sentiments sometimes speaker speaking sufficient suited sunt talents tion tones variety various voice whole writing