Chironomia: Or, A Treatise on Rhetorical Delivery |
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Page 61
MODULATION , VARIETY , AND RATE OF UTTERANCE . The modulation of the voice is the proper management of its tones , so as to produce grateful melodies to the ear . Upon the modulation of the voice , depends that variety which is so ...
MODULATION , VARIETY , AND RATE OF UTTERANCE . The modulation of the voice is the proper management of its tones , so as to produce grateful melodies to the ear . Upon the modulation of the voice , depends that variety which is so ...
Page 79
To study variety of tone in delivery is a most important point . “ “ The opposite fault is monotony . " To variety may also be referred the government of the utterance with respect to rapidity or slowness .
To study variety of tone in delivery is a most important point . “ “ The opposite fault is monotony . " To variety may also be referred the government of the utterance with respect to rapidity or slowness .
Page
Variety of gesture , resulting from the systematic positions only , 314 to 316 — Fenelon's observations on , 443 - variety of gesture and opposite imperfections , 454 - produced by the use of the left hand , 419 .
Variety of gesture , resulting from the systematic positions only , 314 to 316 — Fenelon's observations on , 443 - variety of gesture and opposite imperfections , 454 - produced by the use of the left hand , 419 .
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Contents
Chironomia or a Treatise on Rhetorical Delivery | 1 |
Of the Voice | 27 |
Of the VoiceGeneral Precepts | 67 |
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according action actor advantage altogether ancient appears atque attention authority body called CHAPTER character Cicero circumstances composition considered countenance delivered delivery Demosthenes direction discourse effect elevated eloquence equally etiam excellence expression extended eyes fall feelings figure fingers force geste gesture give grace hand head ideas illustrate important kind labour language letters manner manus marked means mind motions move nature necessary notation noted object observed opinion orator oratory particular passage passions perfection performed perhaps person position practice present principal proper public speaker quĉ quam Quintilian quod reader reading reason relates require respect rhetorical says sentiments sometimes speaker speaking sufficient suited sunt talents tion tones variety various voice whole writing