Mortals and Immortals: Collected Essays

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Princeton University Press, Jan 21, 1991 - History - 341 pages

Jean-Pierre Vernant has profoundly transformed our perceptions of ancient Greece. Published in 1991, this collection of nineteen essays probes deeply into themes of enduring interest--death, the body, the soul, the individual, and relations between mortals and immortals; the mask, the mirror, the image, and the imagination; the self and the other, and, more broadly, the concept of otherness itself, or "alterity."

 

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Contents

Mortals and Immortals The Body of the Divine
27
A Beautiful Death and the Disfigured Corpse in Homeric Epic
50
India Mesopotamia Greece Three Ideologies of Death
75
Panta Kala From Homer to Simonides
84
Gender
93
Feminine Figures of Death in Greece
95
Death in the Eyes Gorgo Figure of the Other
111
Image
139
The Figure and Functions of Artemis in Myth and Cult
195
Artemis and Rites of Sacrifice Initiation and Marriage
207
Between Shame and Glory The Identity of the Young Spartan Warrior
220
Artemis and Preliminary Sacrifice in Combat
244
Theory
259
History and Psychology
261
Greek Religion Ancient Religons
269
A General Theory of Sacrifice and the Slaying of the Victims in the Greek Thusia
290

In the Mirror of Medusa
141
From the Presentification of the Invisible to the Imitation of Appearance
151
The Birth of Images
164
Psuche Simulacrum of the Body or Image of the Divine?
186
Divinity
193
Speech and Mute Signs
303
The Individual within the CityState
318
Index
335
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About the author (1991)

Jean-Pierre Vernant is a leading French scholar of ancient Greece who attempts to elucidate Greek religions, especially mythology, through the development of a historical anthropology. In 1984 he retired from his position as professor of the comparative study of ancient religion at the College de France. Among his earlier accomplishments, Vernant received the Croix de Guerre and the Croix de la Liberation for his service in the French army in World War II; he was also made an officer in the French Legion of Honor. Vernant is a writer of essays more than of books. As anthropologist James Redfield (see Vol. 3) puts it, "His forte... has been the informal, slightly rambling essay...; he does not collect evidence in order to make a case but rather cites the material in order to illustrate his ideas."Vernant's career has been distinguished by his collaboration with other scholars, most notably with Marcel Detienne and Pierre Vidal-Naquet. His interest in applying anthropological study to ancient Greece derives from his teacher, Louis Gernet, a member of Emile Durkheim's (see Vol. 3) school of L'Annee Sociologique. Vernant also adapts ideas from structuralist anthropology, without, however, surrendering a historical perspective. He works most often on materials from Greece of the fifth century b.c. Classicists often resist Vernant's approach because it is so heavily informed by theory. Nevertheless, it provides a wonderfully rich and complex vision of the ancient world and is worth serious and prolonged consideration.

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