The Essential Science Fiction Television Reader

Front Cover
University Press of Kentucky, May 2, 2008 - Performing Arts - 368 pages

Once confined solely to literature and film, science fiction has emerged to become a firmly established, and wildly popular, television genre over the last half century. The Essential Science Fiction Television Reader provides insight into and analyses of the most important programs in the history of the genre and explores the breadth of science fiction programming. Editor J. P. Telotte and the contributors explain the gradual transformation of the genre from low-budget cinematic knockoffs to an independent and distinct televisual identity. Their essays track the dramatic evolution of early hits such as The Twilight Zone and Star Trek into the science fiction programming of today with its more recent successes such as Lost and Heroes. They highlight the history, narrative approaches, and themes of the genre with an inviting and accessible style. In essays that are as varied as the shows themselves, the contributors address the full scope of the genre. In his essay "The Politics of Star Trek: The Original Series," M. Keith Booker examines the ways in which Star Trek promoted cultural diversity and commented on the pioneering attitude of the American West. Susan George takes on the refurbished Battlestar Galactica series, examining how the show reframes questions of gender. Other essays explore the very attributes that constitute science fiction television: David Lavery's essay "The Island's Greatest Mystery: Is Lost Science Fiction?"calls into question the defining characteristics of the genre. From anime to action, every form of science fiction television is given thoughtful analysis enriched with historical perspective. Placing the genre in a broad context, The Essential Science Fiction Television Reader outlines where the genre has been, where it is today, and where it may travel in the future. No longer relegated to the periphery of television, science fiction now commands a viewership vast enough to sustain a cable channel devoted to the genre.

 

Contents

Introduction
1
Lost in Space
37
Shadows on the Cathode Ray Tude
55
From Big Screen to Small Box
69
Tomorrowland TV
93
Anthology Drama
111
Animation Anime and the Cultural Logic of Asianization
127
Dreams Teach
143
Science Fiction Television in the United Kingdon
209
Mainstreaming Marginality
231
Babylon 5
247
Stargate SC1 and the Quest for the Perfect Science Fiction Premise
267
The Islands Greatest Mystery
283
TV Time Lords
301
Further Reading
315
Selected Videography
321

Fraking Machines
159
Space Vehicles and Traveling Companions
177
The Politics of Star Trak
195
Contributors
337
Index
341
Copyright

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About the author (2008)

J. P. Telotte, professor of literature, communication, and culture at the Georgia Institute of Technology, is the author or editor of numerous books.