Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
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Page 193
... responses to a royal self - identification with Richard II - especially when an interlocutor shared Hayward's politically sensitive pro- fession of historian . Although Lambarde's response ap- pears to avoid problems- " WL Such a wicked ...
... responses to a royal self - identification with Richard II - especially when an interlocutor shared Hayward's politically sensitive pro- fession of historian . Although Lambarde's response ap- pears to avoid problems- " WL Such a wicked ...
Page 204
... response that already seems to have been a common feature of playgoing . Shakespearean theater is in a pro- cess of ... responses accommodated by carnivalesque forms will be anything but subversive , oppositional , or sympathetic to the ...
... response that already seems to have been a common feature of playgoing . Shakespearean theater is in a pro- cess of ... responses accommodated by carnivalesque forms will be anything but subversive , oppositional , or sympathetic to the ...
Page 325
... response is more or less controlled by some force of our subliminal consciousness , whose work- ing is intuitive , or sometimes even irrational , rather than discursive or cerebral . The theatrical experience , unlike a reading ...
... response is more or less controlled by some force of our subliminal consciousness , whose work- ing is intuitive , or sometimes even irrational , rather than discursive or cerebral . The theatrical experience , unlike a reading ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York