A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Page 53
... western naval alliance over the Ottomans at Lepanto ( Hall 2007a ) . A performance of the play in Constantinople on the eve of the Greek uprising of 1821 again implicitly equated Persians and Turks ( van Steen 2007 ) ; and one of the ...
... western naval alliance over the Ottomans at Lepanto ( Hall 2007a ) . A performance of the play in Constantinople on the eve of the Greek uprising of 1821 again implicitly equated Persians and Turks ( van Steen 2007 ) ; and one of the ...
Page 84
... western texts or introduced new courses focused on the ' great books ' , the classics , of various non- western cultures . Predictably , these changes have angered some students , faculty , and alumni , who feel that their identity and ...
... western texts or introduced new courses focused on the ' great books ' , the classics , of various non- western cultures . Predictably , these changes have angered some students , faculty , and alumni , who feel that their identity and ...
Page 369
... western European reception history of Sophocles ' Antigone . The choral music composed by Felix Mendelssohn - Bartholdy had launched the Antigone of director Ludwig Tieck as the ' classical ' production ever since its grand opening ...
... western European reception history of Sophocles ' Antigone . The choral music composed by Felix Mendelssohn - Bartholdy had launched the Antigone of director Ludwig Tieck as the ' classical ' production ever since its grand opening ...
Contents
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Copyright | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words