Feminism and FilmThis is the first study to apply a broad range of theory to contemporary film. With dazzling insight and critical aplomb Maggie Humm highlights and explains feminist issues and offers a fascinating array of original film analyses. She begins with an in-depth historical survey of contemporary feminist theory, visual aesthetics and film theory, with a particular focus on the work of Laura Mulvey, Annette Kuhn, E. Ann Kaplan and bell hooks. Subsequent chapters examine the issues of reproduction, pornography and the gaze, autobiography and literary theory, postmodernism, Black feminism and 'the personal is political' in relation to a variety of mainstream and independent films, including Klute, Dead Ringers, A Question of Silence, Orlando and Daughters of the Dust. |
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Page 23
... symbolic ( or social production of meaning ) . According to Lacan , we are not born as subjects but begin by making ... symbolic order , called the Law of the Father ' . This is the moment of ' I'when we can create our identity as an'I ...
... symbolic ( or social production of meaning ) . According to Lacan , we are not born as subjects but begin by making ... symbolic order , called the Law of the Father ' . This is the moment of ' I'when we can create our identity as an'I ...
Page 60
... symbolic identifications . Cronenberg crucially images masculinity as inclusionary rather than exclusionary like the ... symbolic depends on . Cronenberg's films raise important questions about masculinity , about the symbolic boundaries ...
... symbolic identifications . Cronenberg crucially images masculinity as inclusionary rather than exclusionary like the ... symbolic depends on . Cronenberg's films raise important questions about masculinity , about the symbolic boundaries ...
Page 64
... symbolic constitution of the male subjects . Yet it is a subject who enacts the psychic excess of the masculine symbolic and its sanctioned misogyny while at the same time delegitimating that symbolic by his desire for the maternal ...
... symbolic constitution of the male subjects . Yet it is a subject who enacts the psychic excess of the masculine symbolic and its sanctioned misogyny while at the same time delegitimating that symbolic by his desire for the maternal ...
Contents
Pornography The Gaze | 39 |
Cronenbergs Films and Feminist Theories | 58 |
Feminist Literary Theory | 90 |
Copyright | |
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Afracentric African Althusser analysis Antonia's Line anxieties argues Bev's Black feminist Black women body Bree's British Broken Mirrors camera construction contemporary create critique Cronenberg 1992 Cronenberg's films crucial Dash's Daughters Dead Ringers deconstruction describes desire Director discourse Dust essay example experience fantasy female feminine Feminism and Film feminist aesthetics feminist critics feminist film theory feminist literary feminist literary criticism feminist theory Figure film-makers film's filmic focus gaze gender identity Gorris's Gullah Hollywood hooks identifications images infantile issues Jameson Julie Dash Kaplan Klein Klute Kristeva Kuhn lesbian London mainstream cinema male Marleen GORRIS masculine maternal metaphor misogyny mother Mulvey Mulvey's Nana object Orlando Peazant political pornography postmodern Potter processes production psychic psychoanalytic Question of Silence representations reproductive Sally Potter scene sexual difference Similarly social specific spectator spectatorship stories suggests symbolic tape slide theme Tilda Swinton twins viewer Visual Pleasure voice woman Woolf writing