 | John O'Neill - Philosophy - 1970 - 120 pages
...the whole past of painting all deliver up a tradition to the painter — that is, Husserl remarks, the power to forget origins and to give to the past...the hypocritical form of forgetfulness, but a new Me, which is the noble form of memory." " It is the same fecundity which explains the unity of Geometry... | |
 | Hans-Georg Gadamer - Philosophy - 1977 - 306 pages
...the whole past of painting all deliver up a tradition to the painter — that is, Husserl remarks, the power to forget origins and to give to the past...forgetfulness, but a new life, which is the noble form of it. ... The productions of the past, which are the data of our time, themselves once went beyond anterior... | |
 | Richard Harvey Brown, Stanford M. Lyman - Social Science - 1978 - 308 pages
...to life again and again . . . [This tradition is], as Husserl remarks, the power to forget origins, to give to the past not a survival, which is the hypocritical form of, but the efficacy of repetition or life, which is the noble form of memory.28 In such a Stiftung, the... | |
 | Maurice Merleau-Ponty, Michael B. Smith - Philosophy - 1993 - 438 pages
...Husserl's term, institution in the active sense of the word. It is thus tradition, but tradition denned as "the power to forget origins and to give to the past...forgetfulness, but a new life, which is the noble form of memory" (ibid., 96). As advent, institution, initiation, the opening up of a dimensionality that will... | |
 | John H. Harvey - Family & Relationships - 1998 - 422 pages
...reflection on the experience (Rosenwald, 1992, p. 275). As Merleau-Ponty (1964) says, I tried "to give the past not a survival, which is the hypocritical...forgetfulness, but a new life, which is the noble form of memory" (p. 59). My hope was that readers would learn from my candor and vulnerability. Necessarily,... | |
 | Sidonie Smith, Julia Watson - American literature - 1998 - 546 pages
...whole I haven't sought historical accuracy. Instead, I have tried, in Merleau-Ponty s words, "to give the past not a survival, which is the hypocritical...forgetfulness, but a new life, which is the noble form of memory." In these terms, I can't even tell my own truth, much less anyone else's. I can only settle... | |
 | Edmund Husserl, Maurice Merleau-Ponty - Philosophy - 2002 - 246 pages
...the whole past of painting all deliver up a tradition to the painter — that is, Husserl remarks, the power to forget origins and to give to the past not a survival \une survie] , which is the hypocritical form of forgetfulness, but a new life, which is the noble... | |
 | Leonard Lawlor - Philosophy - 2003 - 236 pages
...soon as he has seen it, [there is] a tradition . . . that is, Husserl remarks, the power to forget the origins and to give to the past not a survival, which...forgetfulness, but a new life, which is the noble form of memory" (S 73-74/59, Merleau-Ponty's emphasis). Merleau-Ponty had developed this concept of Stiftung,... | |
 | Renaud Barbaras - Philosophy - 2004 - 374 pages
...seems to us that precisely because of the sense that he, following Husserl, assigns to tradition — "the power to forget origins and to give to the past...forgetfulness, but a new life, which is the noble form of memory" (S 74/59) — we can appreciate Merleau-Ponty's richness and singularity most by considering... | |
 | Renaud Barbaras - Philosophy - 2004 - 372 pages
...seems to us that precisely because of the sense that he, following Husserl, assigns to tradition—"the power to forget origins and to give to the past not a survival, which is the hypocritical form of forget fulness, but a new life, which is the noble form of memory" (S 74/59)—we can appreciate Merleau-Ponty's... | |
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It is thus that the world as soon as he has seen it, his first attempts at painting, and the whole past of painting all deliver up a tradition to the painter — that is, Husserl remarks, the power to forget origins and to give to the past not a survival,... 