Milton and the Miltonic Dryden |
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Page 136
... hear him soliloquize , we do not observe with any distinctness the form or outline of his body , or the occupation of space that surrounds the body , or the relation of his body to other objects in space . We are not made at the ...
... hear him soliloquize , we do not observe with any distinctness the form or outline of his body , or the occupation of space that surrounds the body , or the relation of his body to other objects in space . We are not made at the ...
Page 149
... hear in the dark- ness , listening for the unspoken significance of his words , until finally we seem to hear even his silences . " These silences are of course ultimately the creation of Milton's language . They are endowed with ...
... hear in the dark- ness , listening for the unspoken significance of his words , until finally we seem to hear even his silences . " These silences are of course ultimately the creation of Milton's language . They are endowed with ...
Page 151
... hears in the language what may be called , in a specially defined sense , its unspoken meanings . That is to say , Samson is talking about physical guidance , actual breezes ... hear in his words meanings Samson's " Fort of Silence " 151.
... hears in the language what may be called , in a specially defined sense , its unspoken meanings . That is to say , Samson is talking about physical guidance , actual breezes ... hear in his words meanings Samson's " Fort of Silence " 151.
Contents
PART ONE Paradise Lost | 19 |
Satanic Rhetoric | 41 |
The Alterd Stile of Fallen Men | 69 |
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Absalom and Achitophel Adam and Eve Adam's Alexas allusion angels Antony and Cleopatra Antony's attitudes Aureng-Zebe Biblical blind characters Chorus claims comparison contrast corruption created Dalila David's death defined divine dramatic poem earlier echoes effect eloquence Essays Eve's example experience expressed Fall fallen world feelings final grace guage hear Heav'n hero hero's heroic human implies innocence interpretation ironic parodies John Dryden language lines literary Love man's manipulation Marcus Antonius metaphor Milton and Dryden Milton's epic moral or theological narrator nature original Paradise Lost parallels passage pastoral pattern phrase play poet poet's poetic poetry political praise present Prevenient Grace qualities reader recognize refer Restoration literature restored Reuben Brower rhetoric Samson Agonistes Satan Satan's speeches satire scene seems sense Shakespeare's silence social society soliloquy sound speak story style suggests sweet temptation thee thir thou tion Tiresias titles tophel traditional unfallen utterance Ventidius verbal words