Milton and the Miltonic Dryden |
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Page 153
... recognize , but it does not , like Samson's , refer to a whole order of mean- ings of whose existence she is unaware ... recognizes the blind man's words as referring to another order of experience , which does not conflict with his ...
... recognize , but it does not , like Samson's , refer to a whole order of mean- ings of whose existence she is unaware ... recognizes the blind man's words as referring to another order of experience , which does not conflict with his ...
Page 171
Anne Ferry. the Messenger , who merely tells what he has heard without recognizing its meanings . Samson's last speech is a remarkable climax ... recognize to be intentionally ironic , even grimly joking . For Samson's " Fort of Silence " ...
Anne Ferry. the Messenger , who merely tells what he has heard without recognizing its meanings . Samson's last speech is a remarkable climax ... recognize to be intentionally ironic , even grimly joking . For Samson's " Fort of Silence " ...
Page 172
... recognize in his immediate experiences a different order of meanings . He has learned to hear , as it were , the unspoken significance of his words . The Messenger unknowingly reveals that Samson at last reaches total imperviousness and ...
... recognize in his immediate experiences a different order of meanings . He has learned to hear , as it were , the unspoken significance of his words . The Messenger unknowingly reveals that Samson at last reaches total imperviousness and ...
Contents
PART ONE Paradise Lost | 19 |
Satanic Rhetoric | 41 |
The Alterd Stile of Fallen Men | 69 |
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Absalom and Achitophel Adam and Eve Adam's Alexas allusion angels Antony and Cleopatra Antony's attitudes Aureng-Zebe Biblical blind characters Chorus claims comparison contrast corruption created Dalila David's death defined divine dramatic poem earlier echoes effect eloquence Essays Eve's example experience expressed Fall fallen world feelings final grace guage hear Heav'n hero hero's heroic human implies innocence interpretation ironic parodies John Dryden language lines literary Love man's manipulation Marcus Antonius metaphor Milton and Dryden Milton's epic moral or theological narrator nature original Paradise Lost parallels passage pastoral pattern phrase play poet poet's poetic poetry political praise present Prevenient Grace qualities reader recognize refer Restoration literature restored Reuben Brower rhetoric Samson Agonistes Satan Satan's speeches satire scene seems sense Shakespeare's silence social society soliloquy sound speak story style suggests sweet temptation thee thir thou tion Tiresias titles tophel traditional unfallen utterance Ventidius verbal words