The English Novel in the Twentieth Century: The Doom of Empire |
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Page xii
... Lawrence and Joyce were also present to their writer- not so much to the general reader . And they were also powerful influences , because they were read by those successors . But it seems possible honestly to argue that those later ...
... Lawrence and Joyce were also present to their writer- not so much to the general reader . And they were also powerful influences , because they were read by those successors . But it seems possible honestly to argue that those later ...
Page 75
... Joyce and Lawrence knew . They offered themselves to be known as Woman , and the two writers took them as such . The latter became significantly married men , within what ... Lawrence and Joyce both became great writers by James Joyce 75.
... Joyce and Lawrence knew . They offered themselves to be known as Woman , and the two writers took them as such . The latter became significantly married men , within what ... Lawrence and Joyce both became great writers by James Joyce 75.
Page 78
... Lawrence that the latter did not portray himself in fiction as an artist . This means that Joyce's effectiveness as an enemy of empire has been within the sphere of art - as artist rather than as priest of Eros ; readers of Lawrence ...
... Lawrence that the latter did not portray himself in fiction as an artist . This means that Joyce's effectiveness as an enemy of empire has been within the sphere of art - as artist rather than as priest of Eros ; readers of Lawrence ...
Contents
1 THE EMPIRE AND THE ADVENTURE | 1 |
THE EMPIRE | 16 |
THE SISTERS | 46 |
Copyright | |
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adventure Amis Amis's artist audience authority became become began begins British called caste character clearly course critics culture death described early empire England English erotic experience expressed face fact failed father feeling felt fiction figure give Golden Notebook Greene hand hero idea imagination imperialism important India instance intellectual interesting James Joyce kind Kipling Kipling's later laughter Lawrence Lessing letters literary literature lived London look major marriage matter means mind moral mother movement never novel novelists opposite passage perhaps play political presented reader relation represents responsibility says scene seems sense serious social sort Stephen story success theme things told turn Waugh woman women writers wrote York young