The English Novel in the Twentieth Century: The Doom of Empire |
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Page 72
... Stephen really is ( the artist as hero ) , who wins the Dublin intellectuals ' sympathy and admiration which is Stephen's due . Joyce's aim and triumph - his only triumph , in handling Stephen - is to win that sympathy and admira- tion ...
... Stephen really is ( the artist as hero ) , who wins the Dublin intellectuals ' sympathy and admiration which is Stephen's due . Joyce's aim and triumph - his only triumph , in handling Stephen - is to win that sympathy and admira- tion ...
Page 73
... Stephen is nevertheless offended by such talk , while he , on the other hand , has refused to kneel in simulated prayer when his mother lay dying . This offends Mulligan , who is sentimentally chivalrous and courageous , like Dick ...
... Stephen is nevertheless offended by such talk , while he , on the other hand , has refused to kneel in simulated prayer when his mother lay dying . This offends Mulligan , who is sentimentally chivalrous and courageous , like Dick ...
Page 96
... Stephen joins in with anyone else in the book . What has become of that deeprooted shyness of his , and his determination to be elusive of all orders ? Again it seems that , like disorder , community does not threaten when it carries no ...
... Stephen joins in with anyone else in the book . What has become of that deeprooted shyness of his , and his determination to be elusive of all orders ? Again it seems that , like disorder , community does not threaten when it carries no ...
Contents
1 THE EMPIRE AND THE ADVENTURE | 1 |
THE EMPIRE | 16 |
THE SISTERS | 46 |
Copyright | |
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Common terms and phrases
adventure Amis Amis's artist audience authority became become began begins British called caste character clearly course critics culture death described early empire England English erotic experience expressed face fact failed father feeling felt fiction figure give Golden Notebook Greene hand hero idea imagination imperialism important India instance intellectual interesting James Joyce kind Kipling Kipling's later laughter Lawrence Lessing letters literary literature lived London look major marriage matter means mind moral mother movement never novel novelists opposite passage perhaps play political presented reader relation represents responsibility says scene seems sense serious social sort Stephen story success theme things told turn Waugh woman women writers wrote York young