The Sociology of Literature |
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Page 16
... accepted the dictum of Proust ( his favourite author ) that ' a book is the product of a different self from the one ... accept the work of Proust . Moreover , it is quite certain that a knowledge of the author need not be equivalent to ...
... accepted the dictum of Proust ( his favourite author ) that ' a book is the product of a different self from the one ... accept the work of Proust . Moreover , it is quite certain that a knowledge of the author need not be equivalent to ...
Page 54
... accept his experience ( 1971 ) . Perhaps the most helpful part of this approach is , however , indirect . The stress ... accepted vision of the society . It is at this point that Sartre's work is also important . The means by which the ...
... accept his experience ( 1971 ) . Perhaps the most helpful part of this approach is , however , indirect . The stress ... accepted vision of the society . It is at this point that Sartre's work is also important . The means by which the ...
Page 104
... accept are elitist ones ( Lane , 1970b , passim ) . Thus the publication of masterpieces is seen as a duty that ... accepting the definition of culture of the owners : if this is contested , decisions tend very quickly to revert to the ...
... accept are elitist ones ( Lane , 1970b , passim ) . Thus the publication of masterpieces is seen as a duty that ... accepting the definition of culture of the owners : if this is contested , decisions tend very quickly to revert to the ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers