The Sociology of Literature |
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Page 24
... belief takes in particular circumstances . The effect on belief of such investigation is obviously complex . But if the discovery , say , that the congregation of a particular American sect is wealthy and white might disenchant more ...
... belief takes in particular circumstances . The effect on belief of such investigation is obviously complex . But if the discovery , say , that the congregation of a particular American sect is wealthy and white might disenchant more ...
Page 37
... belief that modern art has gone so far as to attack the very basis of social relations . This view is open to criticism , as we shall see in Chapter 4 , insofar as it ignores the social experience , however unrepresentative , that ...
... belief that modern art has gone so far as to attack the very basis of social relations . This view is open to criticism , as we shall see in Chapter 4 , insofar as it ignores the social experience , however unrepresentative , that ...
Page 43
... belief , merely that they wish to examine not only social forces using belief as rationalisations , but also social forces which are necessary for , as it were , true belief to be supported . A classic example of the sociological method ...
... belief , merely that they wish to examine not only social forces using belief as rationalisations , but also social forces which are necessary for , as it were , true belief to be supported . A classic example of the sociological method ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers