The Sociology of Literature |
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Page 26
... considerable interest in that it makes it necessary to examine the ways in which Hardy approached rural life , rather than to merely presume that his account is itself historically accurate . 2. The same necessity of considering the ...
... considerable interest in that it makes it necessary to examine the ways in which Hardy approached rural life , rather than to merely presume that his account is itself historically accurate . 2. The same necessity of considering the ...
Page 103
... considerable influence . Sutherland has shown this influence at work in a series of detailed studies . Kingsley was persuaded to drop a first person narrator in his Westward Ho !, whilst Dickens ( as a publisher in his own right ) ...
... considerable influence . Sutherland has shown this influence at work in a series of detailed studies . Kingsley was persuaded to drop a first person narrator in his Westward Ho !, whilst Dickens ( as a publisher in his own right ) ...
Page 108
... considerable extensions to press freedom since they were secure in the knowledge that such freedom would be ' responsibly ' used . And there remained , of course , very considerable reserve legal powers . In 1889 these were enhanced by ...
... considerable extensions to press freedom since they were secure in the knowledge that such freedom would be ' responsibly ' used . And there remained , of course , very considerable reserve legal powers . In 1889 these were enhanced by ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers