The Sociology of Literature |
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Page 34
... experience ; and insofar as this urge to capture experience is known to all societies Williams's insistence that it is a ' material ' part of life may be accepted . The great merit of this position is that it allows for , and indeed ...
... experience ; and insofar as this urge to capture experience is known to all societies Williams's insistence that it is a ' material ' part of life may be accepted . The great merit of this position is that it allows for , and indeed ...
Page 36
... experience ; it is thus more of a witness to that particular experience than illuminating a fully balanced account of the complete social scene . Consequently , it is necessary to take the self - advertisement of writers with a pinch of ...
... experience ; it is thus more of a witness to that particular experience than illuminating a fully balanced account of the complete social scene . Consequently , it is necessary to take the self - advertisement of writers with a pinch of ...
Page 37
... experience , however unrepresentative , that modernism records . But the weakness follows the presumption that the imagination can dream up something without a basis in experience . This belief underlies many well - known aesthetic ...
... experience , however unrepresentative , that modernism records . But the weakness follows the presumption that the imagination can dream up something without a basis in experience . This belief underlies many well - known aesthetic ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers