The Sociology of Literature |
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Page 18
... feel ' something which alludes to reality ... What art makes us see , and therefore gives to us in the form of ' seeing ' , ' perceiving ' and ' feeling ' ( which is not the form of knowing ) is the ideology from which it is born , in ...
... feel ' something which alludes to reality ... What art makes us see , and therefore gives to us in the form of ' seeing ' , ' perceiving ' and ' feeling ' ( which is not the form of knowing ) is the ideology from which it is born , in ...
Page 68
... feel , that could happen to [ the puritan reader ] which would make him alter his views of his way of looking at the world ... there is rarely any questioning of the nature of the implication of these things ( 1973 , pp . 146-7 ) . The ...
... feel , that could happen to [ the puritan reader ] which would make him alter his views of his way of looking at the world ... there is rarely any questioning of the nature of the implication of these things ( 1973 , pp . 146-7 ) . The ...
Page 143
... feels was responsible for the diffusion of social conflict . But most important of all in Bell's eyes was the ability of religion to provide answers in the cultural realm to ' the existential questions that face all men ' . The presence ...
... feels was responsible for the diffusion of social conflict . But most important of all in Bell's eyes was the ability of religion to provide answers in the cultural realm to ' the existential questions that face all men ' . The presence ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers