The Sociology of Literature |
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Page 15
... final convention relates to those works which are concerned to parody a single work . The greatest individual instance of such parody is that of Cervantes on courtly and chivalric tales , but a recent master of the art has undoubtedly ...
... final convention relates to those works which are concerned to parody a single work . The greatest individual instance of such parody is that of Cervantes on courtly and chivalric tales , but a recent master of the art has undoubtedly ...
Page 130
... final third ( 1940 ) . Other evidence demonstrates the class composition of these percentage groups . It has already been seen that the use of libraries is virtually entirely dominated by the middle class , and Peter Mann has shown that ...
... final third ( 1940 ) . Other evidence demonstrates the class composition of these percentage groups . It has already been seen that the use of libraries is virtually entirely dominated by the middle class , and Peter Mann has shown that ...
Page 136
... final chapter . What is the impact of the very existence of ' literary culture ' ? In what ways does such a culture ' prejudge ' issues , and what systematic biases may it hide ? Such questions are given added point by the fact that the ...
... final chapter . What is the impact of the very existence of ' literary culture ' ? In what ways does such a culture ' prejudge ' issues , and what systematic biases may it hide ? Such questions are given added point by the fact that the ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers