The Sociology of Literature |
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Page 18
... insistence is perhaps ultimately the true characteristic of Althusser , but it is the insistence that art has some autonomy that has been developed . Althusser himself seems to suggest that art is not , as it were , as bad as pure ...
... insistence is perhaps ultimately the true characteristic of Althusser , but it is the insistence that art has some autonomy that has been developed . Althusser himself seems to suggest that art is not , as it were , as bad as pure ...
Page 30
... insistence that literature cannot touch the real ( the realm of science , i.e. Marxism ) is contradicted by Conrad's treatment of the theme of the isolated individual . Conrad's insistence in this matter is , to put it simply , correct ...
... insistence that literature cannot touch the real ( the realm of science , i.e. Marxism ) is contradicted by Conrad's treatment of the theme of the isolated individual . Conrad's insistence in this matter is , to put it simply , correct ...
Page 54
... insistence ( of Sartre in particular ) that a biography is worked out in relationship with the larger society . It is this emphasis that links the first approach to the second which stresses the need to put social experience into words ...
... insistence ( of Sartre in particular ) that a biography is worked out in relationship with the larger society . It is this emphasis that links the first approach to the second which stresses the need to put social experience into words ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers