The Sociology of Literature |
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Page 59
... literary profession ; the aristocratic embrace of English culture presumably turned such figures into consumers rather than producers of culture . Secondly , Altick demon- strates that the vast proportion of writers in his survey had ...
... literary profession ; the aristocratic embrace of English culture presumably turned such figures into consumers rather than producers of culture . Secondly , Altick demon- strates that the vast proportion of writers in his survey had ...
Page 136
... literary culture ' ? In what ways does such a culture ' prejudge ' issues , and what systematic biases may it hide ? Such questions are given added point by the fact that the literary audience does exhibit some striking differences from ...
... literary culture ' ? In what ways does such a culture ' prejudge ' issues , and what systematic biases may it hide ? Such questions are given added point by the fact that the literary audience does exhibit some striking differences from ...
Page 148
... not to consider ' high culture ' as equal to other social activities , but to treat it , because it is the preserve of a few , as worse . 2 Gellner's general position may be further compared with that 148 The ' effect ' of literary culture.
... not to consider ' high culture ' as equal to other social activities , but to treat it , because it is the preserve of a few , as worse . 2 Gellner's general position may be further compared with that 148 The ' effect ' of literary culture.
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers