The Sociology of Literature |
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Page 39
... matter can be taken further . Can we , in other words , explain the very nature of the literary impulse itself ? The horror of explanation , or the reduction of the literary impulse Reduction has two relevant meanings in connection with ...
... matter can be taken further . Can we , in other words , explain the very nature of the literary impulse itself ? The horror of explanation , or the reduction of the literary impulse Reduction has two relevant meanings in connection with ...
Page 57
... matter is that of Raymond Williams who argues that the achievement of Elizabethan drama was due to its popular nature ( 1971 , p . 193 ) . This is strenuously opposed by Saunders who considers that the court was responsible for keeping ...
... matter is that of Raymond Williams who argues that the achievement of Elizabethan drama was due to its popular nature ( 1971 , p . 193 ) . This is strenuously opposed by Saunders who considers that the court was responsible for keeping ...
Page 76
... matters far less than authenticity . This , of course , is opposed to the spirit of traditional realism but Lodge suggests ... matter is trying to reverse our traditional expectations of a novel : ' it undoes our trust in the characters ...
... matters far less than authenticity . This , of course , is opposed to the spirit of traditional realism but Lodge suggests ... matter is trying to reverse our traditional expectations of a novel : ' it undoes our trust in the characters ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers