The Sociology of Literature |
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Page 32
... mind obtained knowledge was that the mind was a receiver of sense impressions . This theory suggests that the mind is some sort of bucket which will give a true picture of reality provided that something ( class prejudice , Freudian ...
... mind obtained knowledge was that the mind was a receiver of sense impressions . This theory suggests that the mind is some sort of bucket which will give a true picture of reality provided that something ( class prejudice , Freudian ...
Page 39
... mind ) would be dented . Thus the possibility of reduction in its powerful sense is looked upon with horror . This is perfectly proper since the reduction or , more precisely , the explanation – of any part of human behaviour is morally ...
... mind ) would be dented . Thus the possibility of reduction in its powerful sense is looked upon with horror . This is perfectly proper since the reduction or , more precisely , the explanation – of any part of human behaviour is morally ...
Page 73
... mind than had been realised merely confirmed what many artists had already come to believe . The pieties of the Victorian period - faith in progress , free trade and democracy - seemed shallow in view of the deeper forces that were felt ...
... mind than had been realised merely confirmed what many artists had already come to believe . The pieties of the Victorian period - faith in progress , free trade and democracy - seemed shallow in view of the deeper forces that were felt ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers