The Sociology of Literature |
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Page 60
... nineteenth century writers found themselves in the unprecedented position of having to adapt their techniques and messages to the limited capacities and special expectations of a newly formed mass audience ' ( Altick , 1962 , p . 403 ) ...
... nineteenth century writers found themselves in the unprecedented position of having to adapt their techniques and messages to the limited capacities and special expectations of a newly formed mass audience ' ( Altick , 1962 , p . 403 ) ...
Page 70
... nineteenth - century novel took place in France and Russia , and both these countries were , of course , economically backward in comparison to England . This is not , however , to say that there is no relationship between novel and ...
... nineteenth - century novel took place in France and Russia , and both these countries were , of course , economically backward in comparison to England . This is not , however , to say that there is no relationship between novel and ...
Page 72
... nineteenth century as a symbol of what society was becoming , and it stressed the importance of Baudelaire in focussing attention on the industrial city ( 1973 ) . Initially this point might seem over - simplified in that Dickens and ...
... nineteenth century as a symbol of what society was becoming , and it stressed the importance of Baudelaire in focussing attention on the industrial city ( 1973 ) . Initially this point might seem over - simplified in that Dickens and ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers