The Sociology of Literature |
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Page 81
... produced entirely independently , and that it is their production alone that counts ? If the first question concerns the relations of ' high ' and ' low ' , the second is that of the exact character of popular literature . It may be as ...
... produced entirely independently , and that it is their production alone that counts ? If the first question concerns the relations of ' high ' and ' low ' , the second is that of the exact character of popular literature . It may be as ...
Page 123
... produced by 1500 by scribes , the scriptoria of monasteries and the earliest of presses ; however . this figure is as nothing compared with the one hundred and fifty to two hundred million books produced in the sixteenth century alone ...
... produced by 1500 by scribes , the scriptoria of monasteries and the earliest of presses ; however . this figure is as nothing compared with the one hundred and fifty to two hundred million books produced in the sixteenth century alone ...
Page 152
John A. Hall. spent less time producing ' culture ' ( in the sense of artistic artefacts ) . Williams makes his point ... produced , and which it is important to recognize , is the collective democratic institution , whether in the trade ...
John A. Hall. spent less time producing ' culture ' ( in the sense of artistic artefacts ) . Williams makes his point ... produced , and which it is important to recognize , is the collective democratic institution , whether in the trade ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers