The Sociology of Literature |
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Page 42
... reflects on the weakness of our knowledge - although , to that extent , it will be understandably welcomed by those hostile to any understanding of human powers . But if this is the case , it now becomes relevant to describe the third ...
... reflects on the weakness of our knowledge - although , to that extent , it will be understandably welcomed by those hostile to any understanding of human powers . But if this is the case , it now becomes relevant to describe the third ...
Page 50
... reflect evaluations as to what the artist should be doing . Nevertheless , it is possible to find some way through this minefield since the early work of Williams in The Long Revolution ( 1971 ) and , once again , that of Gombrich have ...
... reflect evaluations as to what the artist should be doing . Nevertheless , it is possible to find some way through this minefield since the early work of Williams in The Long Revolution ( 1971 ) and , once again , that of Gombrich have ...
Page 66
... reflect a determination to be ' bourgeois ' , they are the result of a question posed by the writer concerning the ... reflecting the values of a class ( which was never really aware of them ) increases the surprise of belonging to a ...
... reflect a determination to be ' bourgeois ' , they are the result of a question posed by the writer concerning the ... reflecting the values of a class ( which was never really aware of them ) increases the surprise of belonging to a ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers