The Sociology of Literature |
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Page 36
... social experience ; it is thus more of a witness to that particular experience than illuminating a fully balanced account of the complete social scene . Consequently , it is necessary to take the self - advertisement of writers with a ...
... social experience ; it is thus more of a witness to that particular experience than illuminating a fully balanced account of the complete social scene . Consequently , it is necessary to take the self - advertisement of writers with a ...
Page 37
John A. Hall. literature may describe social experience that is not generally representative . Thus there is much to ... social experiences , but an understanding of , say , the social origins of realism and modernism may allow rather ...
John A. Hall. literature may describe social experience that is not generally representative . Thus there is much to ... social experiences , but an understanding of , say , the social origins of realism and modernism may allow rather ...
Page 44
... social circumstances which vary histori- cally . On certain occasions it does seem as if art is more closely related ... experience . The situation then is complex ; new social circumstances will in turn lead to a renewed intertextual ...
... social circumstances which vary histori- cally . On certain occasions it does seem as if art is more closely related ... experience . The situation then is complex ; new social circumstances will in turn lead to a renewed intertextual ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers