The Sociology of Literature |
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Page 5
... theory of the novel follows this scheme very closely . He argues that progressive values allowed for the great novels of Balzac and Stendhal , while the reactionary values dominant since 1848 have caused the deterioration of modern ...
... theory of the novel follows this scheme very closely . He argues that progressive values allowed for the great novels of Balzac and Stendhal , while the reactionary values dominant since 1848 have caused the deterioration of modern ...
Page 53
... theory have already been noted . The concern with ' social content ' leads to an absurd belief that the convention of realism is clearly superior to others in which social experience is contained . And this view , as argued , tends to ...
... theory have already been noted . The concern with ' social content ' leads to an absurd belief that the convention of realism is clearly superior to others in which social experience is contained . And this view , as argued , tends to ...
Page 64
... Theory of the Novel provides the second contribution that is of interest here . Lukács offers a more positive version of Hegel's theory but this is in fact only a development of Hegel's own comments on Diderot's Rameau's Nephew . In ...
... Theory of the Novel provides the second contribution that is of interest here . Lukács offers a more positive version of Hegel's theory but this is in fact only a development of Hegel's own comments on Diderot's Rameau's Nephew . In ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers