The Sociology of Literature |
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Page 30
... understanding the second level of the work of Wells and Shaw , and slum novelists analysed by Chesterton . But the insistence that literature cannot touch the real ( the realm of science , i.e. Marxism ) is contradicted by Conrad's ...
... understanding the second level of the work of Wells and Shaw , and slum novelists analysed by Chesterton . But the insistence that literature cannot touch the real ( the realm of science , i.e. Marxism ) is contradicted by Conrad's ...
Page 45
... understanding of the social genesis of literature is the understanding of social forces which allow literature to flourish . The first important way in which this may be done is by examining those facets of society which enable a ...
... understanding of the social genesis of literature is the understanding of social forces which allow literature to flourish . The first important way in which this may be done is by examining those facets of society which enable a ...
Page 85
... understanding of the nature of social codes is : combined with an interest in empirical work . And it must be stressed that such work analyses only the actual content of popular literature . On soccasions it has seemed as if the ...
... understanding of the nature of social codes is : combined with an interest in empirical work . And it must be stressed that such work analyses only the actual content of popular literature . On soccasions it has seemed as if the ...
Contents
The sociology of literature | 24 |
The sociology of the author | 50 |
The novel realism and modernism | 64 |
Copyright | |
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ability able accept actual allowed already approach argued argument artist attempt audience authors become belief bourgeois century chapter character common complex concept concern consequence considerable considered course criticism culture described discussion early effect encouraged English especially established evidence example experience explain fact final forces given historical human idea imagination important increase individual industrial insistence intellectual interest language less libraries limited literary living Lukács manner Marxist mass matter means MICHIGAN mind modernist nature necessary noted novel offered once origin particular perhaps period plays political popular literature position possible produced Proust publishing question readers reading realised reality reason recent referent relations result School Secondly seems seen sense social society sociology story stress structure suggests tend theory traditional true understanding UNIVERSITY values writers