A System of Elocution: With Special Reference to Gesture, to the Treatment of Stammering, and Defective Articulation ... |
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Page iv
... melody . In this work , however , not only are the inflections and the melody given , but also those tran- sitions in pitch , called modulation , or a change of key My method of representing the melody and modula tions of the speaking ...
... melody . In this work , however , not only are the inflections and the melody given , but also those tran- sitions in pitch , called modulation , or a change of key My method of representing the melody and modula tions of the speaking ...
Page vii
... Melody 52 Modulation 53 Force .... 59 Time 63 Gesture PART II . GESTURE . Postures of the Body Postures unfavourable to Vocal Delivery . 2880 69 69 70 Postures favourable to Vocal Delivery . Demonstrating on the Black ( 7 )
... Melody 52 Modulation 53 Force .... 59 Time 63 Gesture PART II . GESTURE . Postures of the Body Postures unfavourable to Vocal Delivery . 2880 69 69 70 Postures favourable to Vocal Delivery . Demonstrating on the Black ( 7 )
Page viii
... Melodies .... 172 Interrogative Sentences . 174 Force .... 176 Modulation 176 Tremour 177 Time and Gesture 178 Method of Beating Time with the Dumb - Bells . 178 Syllable Rhythm ..... 179 Poetry Rhythm 179 First Period of Gesture .. 182 ...
... Melodies .... 172 Interrogative Sentences . 174 Force .... 176 Modulation 176 Tremour 177 Time and Gesture 178 Method of Beating Time with the Dumb - Bells . 178 Syllable Rhythm ..... 179 Poetry Rhythm 179 First Period of Gesture .. 182 ...
Page 51
... melodic . Every modification of the voice , which is not compatible with the sentiment , weakens the force of the elocution by drawing off the attention of the hearer from the sense to the sound ... MELODY . ELODY is a series of PITCH . 51.
... melodic . Every modification of the voice , which is not compatible with the sentiment , weakens the force of the elocution by drawing off the attention of the hearer from the sense to the sound ... MELODY . ELODY is a series of PITCH . 51.
Page 52
... melody . Melody is distinguished from harmony by not necessarily includ- ing a combination of parts . The term harmony , as employed in the science of music , signifies a union of melodies , a succession of combined sounds , moving at ...
... melody . Melody is distinguished from harmony by not necessarily includ- ing a combination of parts . The term harmony , as employed in the science of music , signifies a union of melodies , a succession of combined sounds , moving at ...
Common terms and phrases
action advance ANDREW COMSTOCK articulation body br-R breast Brutus Bvhf Cæsar Caius Verres called Cato circumflex connexion death degree Diag diatonic scale diphthongs discriminating gestures earth elements emphasis melodies emphatic gesture English language Erin go bragh eternal ev'ry exercises expression extended eyes falling inflection falsetto feet fingers force formed grace Gymnastics head heart heaven honour horizontal forwards human voice Hyder Ali inflection language left foot manner Mark Antony marked motion muscles noted o'er opposite imperfection orator Philadelphia pitch position posture PRACTICAL ELOCUTION principal gesture pronounced public speaker pupil Quintilian rest right hand semitone sentiments shf st small letters song soul sound speak speech stammering STANZA stroke subvowel supine syllable thee thou thought tion triphthongs ture utterance variety vef sp vertical vocal Vocal Gymnastics vowel wave word
Popular passages
Page 174 - The oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin?
Page 209 - Never, never more, shall we behold that generous loyalty to rank and sex, that proud submission, that dignified obedience, that subordination of the heart, which kept alive, even in servitude itself, the spirit of an exalted freedom. The unbought grace of life, the cheap defence of nations, the nurse of manly sentiment and heroic enterprise is gone...
Page 336 - Netherby gate, The bride had consented, the gallant came late : For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar. So boldly he...
Page 337 - So stately his form, and so lovely her face, That never a hall such a galliard did grace, While her mother did fret, and her father did fume, And the bridegroom stood dangling his bonnet and plume ; And the bride-maidens whispered, " 'Twere better by far To have matched our fair cousin with young Lochinvar.
Page 302 - Forbade to wade through slaughter to a throne, And shut the gates of mercy on mankind, The struggling pangs of conscious truth to hide, To quench the blushes of ingenuous shame, Or heap the shrine of luxury and pride With incense kindled at the Muse's flame.
Page 282 - By the struggling moonbeam's misty light, And the lantern dimly burning. No useless coffin enclosed his breast, Not in sheet nor in shroud we wound him ; But he lay like a warrior taking his rest, With his martial cloak around him.
Page 179 - I AM monarch of all I survey, My right there is none to dispute ; From the centre all round to the sea I am lord of the fowl and the brute.
Page 241 - TO him who in the love of nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware.
Page 336 - Eske river where ford there was none; But, ere he alighted at Netherby gate, The bride had consented, the gallant came late; For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar.
Page 227 - I call upon the honour of your lordships to reverence the dignity of your ancestors, and to maintain your own. I call upon the spirit and humanity of my country to vindicate the national character.