Cultural Policy in EstoniaOn cover: European Programme of National Cultural Policy Reviews/Culture |
Contents
4 | |
5 | |
9 | |
14 | |
15 | |
20 | |
27 | |
Organisation and financing of cultural policy | 41 |
between hopes and realities | 115 |
B Report by a European panel of examiners | 123 |
Composition of the panel of examiners | 124 |
Preface and acknowledgements | 125 |
Strategy for the review and structure of the report | 127 |
some introductory remarks | 133 |
Cultural policy principles and aspirations economic realities and some developmental considerations | 143 |
On the legislative framework financing of culture and cultural democracy | 151 |
The creators of culture | 54 |
Cultural industries | 63 |
Participation in cultural activities and private consumption of culture | 73 |
Protection of cultural heritage | 86 |
Cultural policy towards immigrants and national minorities | 94 |
International cultural relations | 102 |
Public discussion of cultural policies | 106 |
Economic reform privatisation and civil society | 166 |
Participation in cultural life | 170 |
Artistic creation and the position of artists | 178 |
Observations on different art forms cultural services and culture industries | 184 |
Observations on cultural life at the local level | 201 |
Conclusions and recommendations | 216 |
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Common terms and phrases
activities artists arts and culture associations authorities become budget buildings central centres changes Committee companies concern considerable considered Council countries created crowns cultural activities cultural policy Culture and Education discussion economic Eesti established Estonian cultural Europe European examiners example expenditure expressed fact figures financing functions funding future groups hand historical important increase independence industries influence institutions interest issues language legislation libraries major means million Minister Ministry of Culture minorities municipalities museums Narva national culture national report noted objectives official organisations panel participation period political population position present problems production programme projects publishing received regard regional respect responsibility restoration result role Russian sector seen situation social society Source Soviet sphere structure Table Tallinn Tartu television theatre tion Union values