Early 19th Century English Poetry

18th century aspects attitude beauty became believed Blake blank verse Byron called classical colour criticism delight desire developed dream Dryden early 19th century element Elizabethan emotion England English poetry English romanticism expression feeling French Revolution gave genius Greek heart heroic couplet ideal ideas imagery images imagination important influence inspiration intellectual interest John Keats Keats language literary literature living Lyrical Ballads marked matter of fact Matthew Arnold medieval melancholy Milton mind mood moral mysterious mystical never objects passion personality philosophical Plato poems poet's poetic diction Pope possess prose reaction realise reality recognised return to nature revolutionary romantic poets romantic revival romanticism romanticists Rousseau scenery sense sensibility sensuous sentiment Shakespeare Shelley Shelley's Skylark social society soul Southey Spenser spirit spontaneous style symbolism T.S. Eliot theory things thought Tintern Abbey tion tradition truth vision whole words writing wrote