What If?: Religious Themes in Science FictionWho am I? Why am I here?Where am I going?What if . . .?Science fiction delights in asking old questions in new ways. Rather than being primarily about advanced technology and the imagined future, science fiction novels and films are more fundamentally about issues of human nature and destiny. They provide a unique perspective on the same questions that have dominated theology and philosophy throughout history. In this fascinating book, Mike Alsford aims neither to give a history of science fiction, nor to systematically identify specific religious motifs within the genre, but to create an interdisciplinary, exploratory space where we can engage with the primal themes in new ways. Whether we are already well-versed in science fiction, or have had only the briefest encounters with Frankenstein’s monster and Doctor Who, this book will provide exciting insights into questions of identity, the human condition, our relationships and our destiny. |
From inside the book
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Page 20
... Blade Runner ( 1981 ) and William Gibson's award - winning trilogy Neuromancer ( 1984 ) , Count Zero ( 1986 ) and Mona Lisa Over- drive ( 1988 ) . While Gibson's work is regarded as archetypal cyberpunk , the sub - genre can be seen as ...
... Blade Runner ( 1981 ) and William Gibson's award - winning trilogy Neuromancer ( 1984 ) , Count Zero ( 1986 ) and Mona Lisa Over- drive ( 1988 ) . While Gibson's work is regarded as archetypal cyberpunk , the sub - genre can be seen as ...
Page 21
... Blade Runner , loosely based on the novel Do Androids Dream of Electric Sheep ? by Philip K. Dick , is widely recognised as one of the finest examples of cyberpunk cinema . The film focuses attention upon issues relating to human ...
... Blade Runner , loosely based on the novel Do Androids Dream of Electric Sheep ? by Philip K. Dick , is widely recognised as one of the finest examples of cyberpunk cinema . The film focuses attention upon issues relating to human ...
Page 39
... Blade Runner presents us with a society that creates artificial biological life forms known as ' replicants ' to function as an under - class . Replicants fight humanity's wars and undertake all of its dangerous and onerous tasks . In ...
... Blade Runner presents us with a society that creates artificial biological life forms known as ' replicants ' to function as an under - class . Replicants fight humanity's wars and undertake all of its dangerous and onerous tasks . In ...
Contents
What Are We? | 26 |
Aliens We | 49 |
Where Are We Going and How Do We | 82 |
Copyright | |
1 other sections not shown
Common terms and phrases
Aldiss alien android argues Arrakis attempt Augustine become Blade Runner body Borg Brian Aldiss century Christian classic concerning context created creation creature culture cyberpunk define Descartes destiny divine Earth Emmanuel Levinas encounter Enlightenment environment episode essence ethical example experience explored fear film Frankenstein genetic genre of SF Gernsback human condition human existence human nature humanity's Ibid individual Invaders Invaders from Mars issues Kant Karl Barth Klaatu Levinas live Machine Mars Attacks Martians Masterpiece Society means Merleau-Ponty mind modern motif movie Neuromancer novel ourselves Pannenberg particular person perspective philosopher physical planet post-modern potential present question rational reason relationship religion religious Relph science fiction scientific seek seen sense SF writers significance simply SISKO Snow Crash social society space speaks species Star Trek theme theologian theology things thought tradition ultimately understanding utopia virtual reality virtual world William Gibson Wolfhart Pannenberg world-view