What If?: Religious Themes in Science FictionWho am I? Why am I here?Where am I going?What if . . .?Science fiction delights in asking old questions in new ways. Rather than being primarily about advanced technology and the imagined future, science fiction novels and films are more fundamentally about issues of human nature and destiny. They provide a unique perspective on the same questions that have dominated theology and philosophy throughout history. In this fascinating book, Mike Alsford aims neither to give a history of science fiction, nor to systematically identify specific religious motifs within the genre, but to create an interdisciplinary, exploratory space where we can engage with the primal themes in new ways. Whether we are already well-versed in science fiction, or have had only the briefest encounters with Frankenstein’s monster and Doctor Who, this book will provide exciting insights into questions of identity, the human condition, our relationships and our destiny. |
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Page 73
One of the most popular and enduring alien saviour figures must be ' Superman '
, created by Jerry Siegel and Joe Shuster and first ... With the character of
Superman we are presented with the archetypical transcendental saviour figure .
One of the most popular and enduring alien saviour figures must be ' Superman '
, created by Jerry Siegel and Joe Shuster and first ... With the character of
Superman we are presented with the archetypical transcendental saviour figure .
Page 76
In the 1951 film The Day the Earth Stood Still , based on Harry Bates ' story
Farewell to the Master ( 1940 ) , Earth is visited by the messianic alien figure
Klaatu . In a particularly powerful scene , Klaatu exits from his flying saucer ,
which has ...
In the 1951 film The Day the Earth Stood Still , based on Harry Bates ' story
Farewell to the Master ( 1940 ) , Earth is visited by the messianic alien figure
Klaatu . In a particularly powerful scene , Klaatu exits from his flying saucer ,
which has ...
Page 78
Nietzsche not only rejects Christianity on the grounds of its representing a ' slave
morality ' typified in its central figure , the crucified Christ , he is equally dismissive
of the Enlightenment ' s attempts at replacing a set of religious absolutes with ...
Nietzsche not only rejects Christianity on the grounds of its representing a ' slave
morality ' typified in its central figure , the crucified Christ , he is equally dismissive
of the Enlightenment ' s attempts at replacing a set of religious absolutes with ...
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Contents
What Are | 31 |
Aliens | 49 |
Where Are We Going and How Do We | 82 |
Copyright | |
1 other sections not shown
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