Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy"Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century's most significant musical art form, profoundly engaging such figures as Handel, Mozart, and Cimarosa. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria was a product of its time, indexing the confident claims of absolutism early in the century and the political and social upheavals of its later years." "Taking an anthropological approach to European music that is as bold as it is unusual, Martha Feldman traces Italian opera's shift from a mythical assertion of sovereignty, embedded in festive forms and rituals, to a dramatic vehicle that increasingly questioned absolutist ideals while demanding sustained audience attention. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In doing so, Feldman brings to life what audiences experienced, demonstrating why the form was such a great international success and explaining ways that audience experiences of the period differed from ours today. Interdisciplinary, with provocative new tools for approaching all opera, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, performance studies, and the history of the Enlightenment."--BOOK JACKET. |
Other editions - View all
Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy Martha Feldman Limited preview - 2010 |
Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy Martha Feldman No preview available - 2007 |
Common terms and phrases
absolutist Algarotti Antonio Arbace Archivio aria Artaserse Atti audience ballets Biblioteca boxes cadenzas Cambridge carnevale Carnival castrato century chap Chicago cicisbei cicisbeo cittadini court cuccagna dal segno Didone abbandonata dramma per musica edited eighteenth eighteenth-century Enlightenment Farinelli festivity France Francesco French genre Giacomo Rust Giovanni Giuseppe Goldoni Heartz History I-PEc Ippolito ed Aricia Italian Opera Italy king libertà libretto listeners magical Mariotti Metastasio Milan Mitridate modern monarch moral morte Mozart Music musique myth Naples Napoli nature Niccolò Jommelli nobles opera house opera seria Paris Parma Pavone performance Perugia Pietro political popolo recitative reform ritornello ritual Roma Roman Rome royal San Carlo scena scene settecento Signor singers singing social Sografi solo sovereign sovereignty spectacle stage stanza Storia Teatro Civico Teatro La Fenice Teatro San Carlo Temistocle theater theatrical tion Tommaso Traetta Traetta Translated tutto University Press Venetian Venice Vienna vols Vonima Zingarelli