Yet as I read, ftill growing less severe, Through that wide field how he his way should find, Might hence prefume the whole creation's day Thou haft not mifs'd one thought that could be fit, So that no room is here for writers left, That majefty which through thy work doth reign, Where couldst thou words of fuch a compass find? Whence furnish fuch a vast expence of mind? Juft Heaven thee, like Tirefias, to requite Rewards with prophecy thy loss of sight. Well might'ft thou scorn thy readers to allure With tinkling rhyme, of thy own sense secure; While the town-bays writes all the while and spells, And like a pack-horse tires without his bells: Their fancies like our bushy-points appear, The poets tag them, we for fashion wear. I too, transported by the mode, offend, And while I meant to praife thee must commend. Thy verfe created like thy theme fublime, Number, weight, and meafure, needs not rhyme. ANDREW MARVELL To Mr. JOHN MILTON, On his Poem entitled PARADISE LOST. Thou! the wonder of the prefent age, An age immerft in luxury and vice; How couldft thou hope to please this tinsel race? The labyrinth perplex'd of Heaven's decrees; 3 F. C. 1680. THE TH THE VERSE. HE measure is English heroic verse without rhyme, as that of Homer in Greek, and of Virgil in Latin; rhyme being no neceffary adjunct or true ornament of poem or good verse, in longer works especially, but the invention of a barbarous age, to set off wretched matter and lame meter; graced indeed fince by the use of fome famous modern poets, carried away by cuftom, but much to their own vexation, hindrance, and constraint to exprefs many things otherwife, and for the moft part worse than elfe they would have expreffed them. Not without caufe therefore fome both Italian and Spanish poets of prime note have rejected rhyme both in longer and fhorter works, as have also long fince our best English tragedies, as a thing of itself, to all judicious ears, trivial and of no true mufical delight; which confifts only in apt numbers, fit quantity of fyllables, and the sense variously drawn out from one verfe into another, not in the jingling found of like endings, a fault avoided by the learned Ancients both in poetry and all good oratory. This neglect then VOL. I. B of |