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acquired admirable advantage altar Andrea Sacchi angels animated Antwerp appears artist attention attitude beauty Carlo Maratti certainly character Christ church Claude Lorrain colouring composition considered Correggio countenance criticism dead defect degree dignity DISCOURSE Domenichino Domenico Feti drapery drawing drawn dress Dutch effect engraved equally excellence expression figure finished Gainsborough gallery genius give grace grandeur habit hand head idea imagination imitation invention Jan Steen Jordaens judgement kind labour landscapes Last Judgement light and shadow likewise look Luca Giordano Magdalen manner Masaccio mass of light master means merit Michael Angelo mind minute nature never object observed ornament painted painter Paolo Veronese perfect perhaps picture of Rubens Pieta Poetry portrait possessed principles produced racter Raffaelle reason Recollets Rembrandt represented Rubens Rubens's Saint Sculpture seen Sergius Paulus spectator style supposed taste thing tion Titian truth ture Vandyck Virgin whole woman
Page 149 - Academy soon after his death by its truly exalted president, it is said of him, " that if ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English school, the name of Gainsborough will be transmitted to posterity in the history of the art among the first of that rising name.
Page 235 - The Italian, attends only to the invariable, the great and general ; ideas which are fixed and inherent in universal nature; the Dutch, on the contrary, to literal truth and a minute exactness in the detail, as I may say, of nature modified by accident. The attention to these petty peculiarities is the very cause of this naturalness so much admired in the Dutch pictures, which, if we suppose it to be a beauty, is certainly...
Page 221 - I was much pleased with your ridicule of those shallow criticks, whose judgment, though often right as far as it goes, yet reaches only to inferior beauties, and who, unable to comprehend the whole, judge only by parts, and from thence determine the merit of extensive works.
Page 119 - Painting is not only to be considered as an imitation, operating by deception, but that it is, and ought to be, in many points of view, and strictly speaking, no imitation at all of external nature. Perhaps it ought to be as far removed from the vulgar idea of imitation, as the refined...
Page 120 - I shall now produce some instances to show, that they, as well as our own art, renounce the narrow idea of nature, and the narrow theories derived from that mistaken principle, and apply to that reason only which informs us not what imitation is— a natural representation of a given object— but what it is natural for the imagination to be delighted with.
Page 231 - ... minute exactness in the detail, as I may say, of Nature modified by accident. The attention to these petty peculiarities is the very cause of this naturalness so much admired in the Dutch pictures, which, if we suppose it to be a beauty, is certainly of a lower order, which ought to give place to a beauty of a superior kind, since one cannot be obtained but by departing from the other.
Page 57 - On whatever account we value these drawings, it is certainly not for high finishing, or a minute attention to particulars. Excellence in every part, and in every province of our art, from the highest style of history down to the resemblances of still-life, will depend on this power of extending the attention at once to the whole, without which the greatest diligence is vain.
Page 241 - The black and white nations must, in respect of beauty, be considered as of different kinds, at least a different species of the same kind ; from one of which to the other, as I observed, no inference can be drawn. Novelty is said to be one of the causes of beauty : that novelty is a very sufficient reason why we should admire, is not denied ; but, because it is uncommon, is it, therefore, beautiful? The beauty that is produced by...
Page 222 - Idler, and love to give my judgment, such as it is, from my immediate perceptions, without much fatigue of thinking; and I am of opinion, that if a man has not those perceptions right, it will be vain for him to endeavour to supply their place by rules, which may enable him to talk more learnedly, but not to distinguish more acutely.
Page 115 - It appears to me, therefore, that our first thoughts, that is, the effect which any thing produces on our minds, on its first appearance, is never to be forgotten ; and it demands for that reason, because it is the first, to be laid up with care. If this be not done, the artist may happen to impose on himself by partial reasoning; by a cold consideration of those animated thoughts which proceed, not perhaps from caprice or rashness (as, he may afterwards conceit), but from the...