Canadian Cultural Poesis: Essays on Canadian Culture

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Wilfrid Laurier Univ. Press, Feb 3, 2006 - Political Science - 524 pages

How do we make culture and how does culture make us?

Canadian Cultural Poesis takes a comprehensive approach toward Canadian culture from a variety of provocative perspectives. Centred on the notion of culture as social identity, it offers original essays on cultural issues of urgent concern to Canadians: gender, technology, cultural ethnicity, and regionalism. From a broad range of disciplines, contributors consider these issues in the contexts of media, individual and national identity, language, and cultural dissent.

Providing an excellent introduction to current debates in Canadian culture, Canadian Cultural Poesis will appeal not only to readers looking for an overview of Canadian culture but also to those interested in cultural studies and interdisciplinarity, as well as scholars in film, art, literature, sociology, communication, and womens studies. This book offers new insights into how we make and are made by Canadian culture, each essay contributing to this poetics, inventing new ways to welcome cultural differences of all kinds fo the Canadian cultural community.

 

Contents

A Poetics of Canadian Culture
1
Media and Its Dis Contents
25
Performing and Disrupting Identities
115
Dis Locating Language
227
Cultural Dissidence
341
Bibliography
443
Biographical Notes
487
Index
493
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Page 31 - It must vigilantly make use of the cracks that particular conjunctions open in the surveillance of the proprietary powers. It poaches in them. It creates surprises in them. It can be where it is least expected. It is a guileful ruse.

About the author (2006)

Garry Sherbert is an associate professor in the Department of English at the University of Regina. He is co-editor of two volumes forthcoming in the The Collected Works of Northrop Frye: Shakespeare and the Renaissance. Sheila Petty is dean of the Faculty of Fine Arts and a professor of media studies at the University of Regina. She has written extensively on issues of cultural representation, identity, and nation in African and African diasporic cinema, television and new technologies. Annie Gérin is a curator and assistant professor of art history and art theory in the Department of Visual Arts at the University of Ottawa. She has published articles on public art in journals such as Espace, BlackFlash, and Fuse.