Gesher: Russian Theatre in Israel : a Study of Cultural ColonizationGesher Theatre opened in 1990 as a marginal immigrant troupe in Tel Aviv, and soon became one of the most popular innovative theatres in Israel. It has now achieved international acclaim. However, because its bilingual performances and multicultural cast challenge cornerstones of Zionism, the mainstream Israeli media constantly debate Gesher's position. Gesher: Russian Theatre in Israel - A Study of Cultural Colonization discusses Gesher's history and analyzes its controversial media reception. What emerges is an extension of postcolonial theory to new cultural contexts, leading to a groundbreaking model of interethnic relations. This book will be of value to scholars of cultural studies and immigration, as well as to anyone interested in contemporary Israeli culture. |
From inside the book
Results 1-3 of 26
Page 100
... Shohat ( 1995a ) mocked Shulamit Aloni's call for Israeli theatres " to set Gesher as an example " as premature . The crisis gave Shohat an excellent chance to attack the theatre : " Up until now [ Gesher ] worked in an artistic bubble ...
... Shohat ( 1995a ) mocked Shulamit Aloni's call for Israeli theatres " to set Gesher as an example " as premature . The crisis gave Shohat an excellent chance to attack the theatre : " Up until now [ Gesher ] worked in an artistic bubble ...
Page 101
... ( Shohat 1995c ) . And so the new period in the life of Gesher Theatre began . The Marketing Breakthrough : Tartuffe It took the theatre several months to recuperate . The financial consequences of the crisis were devastating . The budget ...
... ( Shohat 1995c ) . And so the new period in the life of Gesher Theatre began . The Marketing Breakthrough : Tartuffe It took the theatre several months to recuperate . The financial consequences of the crisis were devastating . The budget ...
Page 139
... ( Shohat 1994a ) . In 1997 , when the Gesher - 2 project was under way , Arye became even more explicit in his critique : " I don't like the system of actor training in Israel , where people who teach theatre don't work in the field " ( ...
... ( Shohat 1994a ) . In 1997 , when the Gesher - 2 project was under way , Arye became even more explicit in his critique : " I don't like the system of actor training in Israel , where people who teach theatre don't work in the field " ( ...
Contents
Politics of Immigration in Israel | 5 |
RETHINKING COLONIZATION | 11 |
Internal Colonization | 17 |
Copyright | |
20 other sections not shown
Other editions - View all
Gesher: Russian Theatre in Israel : a Study of Cultural Colonization Olga Gershenson Limited preview - 2005 |
Common terms and phrases
accent acting Adam Resurrected aliyah artistic Arye's Avigal Aviv Bar-Yakov characters colonizing position cultural identity Demidov director discourse Don Juan Dreyfus File Eliakim Yaron ensemble establishment Festival Fuks Gesher actors Gesher Theatre Gesher troupe Gesher-2 Gesher's production Gesher's theatre-makers Guildenstern Are Dead Haaretz Habima Haussman Holocaust ideological Idiot Igor Mirkurbanov Inner Colonized interpretation Israel Festival Israel Sasha Israeli actors Israeli audiences Israeli critics Israeli culture Israeli theatre Jewish Jews Kanuk Kreindlina language Leah Rabin Leonid Kanevsky Lev-Ari Love and Intrigue Lower Depths Maariv Maltzev Mark Ivanir metatheatre Michael Handelsaltz million NIS mimicry Miriam Yahil-Wax Mizrahi music Molière Moscow Nagid Natalya perform in Hebrew play political premiere rehearsals repertoire Rosencrantz and Guildenstern Russian culture Russian theatre scene Shohat Soviet immigrants stage style success Tartuffe theatre in Israel theatre's theatrical Three Sisters topic tour translation Village Voitulevich Yediot Ahronot Yevgeny Arye Yevgenya Dodina young actors Zionist Zionist ideology