Gesher: Russian Theatre in Israel : a Study of Cultural ColonizationGesher Theatre opened in 1990 as a marginal immigrant troupe in Tel Aviv, and soon became one of the most popular innovative theatres in Israel. It has now achieved international acclaim. However, because its bilingual performances and multicultural cast challenge cornerstones of Zionism, the mainstream Israeli media constantly debate Gesher's position. Gesher: Russian Theatre in Israel - A Study of Cultural Colonization discusses Gesher's history and analyzes its controversial media reception. What emerges is an extension of postcolonial theory to new cultural contexts, leading to a groundbreaking model of interethnic relations. This book will be of value to scholars of cultural studies and immigration, as well as to anyone interested in contemporary Israeli culture. |
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Page 36
... public theatres . Most of the independent productions were presented at smaller venues : the Acre Festival of experimental theatre , the Teatranetto festival of solo - performances , the Haifa Festival of Children Theatre , and a Week ...
... public theatres . Most of the independent productions were presented at smaller venues : the Acre Festival of experimental theatre , the Teatranetto festival of solo - performances , the Haifa Festival of Children Theatre , and a Week ...
Page 60
Russian Theatre in Israel : a Study of Cultural Colonization Olga Gershenson. Gesher's structure was distinct from most public theatres in Israel . Israeli theatres , such as the Cameri or the contemporary Habima , are led by a manager ...
Russian Theatre in Israel : a Study of Cultural Colonization Olga Gershenson. Gesher's structure was distinct from most public theatres in Israel . Israeli theatres , such as the Cameri or the contemporary Habima , are led by a manager ...
Page 178
... public theatres ( see Table 4 ) . In the years 1990-1999 , Gesher mounted three Israeli plays , two Jewish plays ... public theatres . Gesher's seemingly apolitical agenda actually resists the idea of socially useful agitprop art , and ...
... public theatres ( see Table 4 ) . In the years 1990-1999 , Gesher mounted three Israeli plays , two Jewish plays ... public theatres . Gesher's seemingly apolitical agenda actually resists the idea of socially useful agitprop art , and ...
Contents
Politics of Immigration in Israel | 5 |
RETHINKING COLONIZATION | 11 |
Internal Colonization | 17 |
Copyright | |
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Gesher: Russian Theatre in Israel : a Study of Cultural Colonization Olga Gershenson Limited preview - 2005 |
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accent acting Adam Resurrected aliyah artistic Arye's Avigal Aviv Bar-Yakov characters colonizing position cultural identity Demidov director discourse Don Juan Dreyfus File Eliakim Yaron ensemble establishment Festival Fuks Gesher actors Gesher Theatre Gesher troupe Gesher-2 Gesher's production Gesher's theatre-makers Guildenstern Are Dead Haaretz Habima Haussman Holocaust ideological Idiot Igor Mirkurbanov Inner Colonized interpretation Israel Festival Israel Sasha Israeli actors Israeli audiences Israeli critics Israeli culture Israeli theatre Jewish Jews Kanuk Kreindlina language Leah Rabin Leonid Kanevsky Lev-Ari Love and Intrigue Lower Depths Maariv Maltzev Mark Ivanir metatheatre Michael Handelsaltz million NIS mimicry Miriam Yahil-Wax Mizrahi music Molière Moscow Nagid Natalya perform in Hebrew play political premiere rehearsals repertoire Rosencrantz and Guildenstern Russian culture Russian theatre scene Shohat Soviet immigrants stage style success Tartuffe theatre in Israel theatre's theatrical Three Sisters topic tour translation Village Voitulevich Yediot Ahronot Yevgeny Arye Yevgenya Dodina young actors Zionist Zionist ideology